Subscribe to My Blog

 

Subscribe in a reader

Enter your email address:

Delivered by FeedBurner

Follow Me On Twitter
Upcoming Projects
This area does not yet contain any content.
Reads and Resources
Navigation

Entries in creativity (20)

Monday
Feb252013

Let's Review- Readings for Creativity

Howard Sherman asks "What are the arts?".

Michael Michalko shares "The 12 Things You Aren't Taught in School- About Creative Thinking".

And the ever-present question for so many creatives- "Should You Work for Free?".

 

Bonus: Jessica Wilt, over at the Clyde Fitch Report, shares her thoughts on teaching troubled kids. 

Monday
Oct222012

Let's Review- Week of 10/15

Creativity

Dan Gunderman at Duck Call has a post about time- creativity takes a lot of it! I feel so blessed that I now have a job that pays me for that creative development time, as well as the execution. I feel its rare, in the arts, to get that respect for the process. But incredibly necessary. This post also links to a great video of John Cleese addressing creativity. Worth the 30 minutes. Promise. 

 

Theatre

Lyn Gardner at The Guardian reflects on her favorite character from a play. She explores our connections to characters, and our connections to them as our own lives change. I'll be looking at this more for myself next week!

 

Ballet

From Canada, host to 2 fairly new ballets this season, comes a story of ballet's love of fairy tale. 

 

We enjoy the illusion because we know it’s not a trick of computers, but a labour of real bone and sinew. Ballet puts the nervous system back into the performance of fantasy.

 

Leaders

David Ian Moss and Barry Hessenius post about Barry's Dinner-vention: If you could have dinner with arts leaders, who would they be? Moss offers brain storming ideas, and Barry will host the dinner!

 

Reading

We know I'm currently doing a good bit of research on reading. Here's another story, from Wired Science, this time on how reading affects the growth of the brain!

 

Words of Wisdom

From Seth Godin: "An organization that's run on emergencies and reaction to incoming doesn't know what to do when there are no problems."

Wednesday
Oct102012

I'll Do Anything

Alice in Wonderland by Lewis Carroll. Image by imgfave.comOver a year ago, July 2011, I wrote a blog post about one of my favorite things about acting- doing more in one lifetime than is actually physically possible. Holding different jobs, living in different time periods, being a different ethnicity, etc.

It’s true. I’ve been a Russian maid and a mermaid. Audrey Hepburn and Cher. A professor and a prostitute. A fairy tale princess and one of Shakespeare’s most famous maidens. It’s been great. And, hopefully, I’m not done yet. I’ve learned about myself, about history, literature, and had a few weeks of “doing a different job”. I’ve realized I really don’t want to be a maid, professor, prostitute or movie star. I mean, great for a few weeks. But not really “me”. I’m an artist, perpetually looking for the next thing, the next viewpoint, the next idea.

Click to read more ...

Tuesday
Sep252012

More Dangerous Myths for Artists


Continuing from Isaac Butler's post at Parabasis, and my post last week- What are some dangerous myths about art-making for you? What are the myths you confront that get in the way of our own ability to get work done?

1. You have nothing new (or relevant) to say.

I think the most dangerous myth for me, and the one that gets in my way most often. In Ecclesiastes, it says there is nothing new under the sun, and I live in fear of that statement. With the sheer volume of dances that I create for shows (currently I have 4 shows I'm choreographing and another that I am both directing and choreographing), I am always worried that they will look the same, be the same, become boring.

The way to alleviate this danger is to constantly serve the story. As long as the movement supports the story being told, it will remain relevant. Even if I used pique turns in the last 4 shows, or if this entire number is all about hip-shaking. As long as that is what the story needs, it works.

2. You are not qualified for this.

This may be a corollary of #1. I remember saying to a friend, shortly before I moved to Miami, that I had this fear that one day, someone would turn to me and say "How did you get here?! What makes you think you can do this?!"

My friend (being a friend), thought I was crazy. But I think this is something a lot of artists have nagging in the back of their minds. In some ways, it's good. We become motivated to NEVER hear that, and work our butts off. But negative motivation is not healthy. We need to realize our work is appreciated by someone, or we wouldn't be where we are, making a life by making art. Not everyone will get it, or us. Let it go. Take the work as your validation.

3. Only those who suffer make good art.

I've been accused, by people I love very much, of always needed a fight, a struggle. And that can be true. I like to be the underdog, the unexpected. To be able to turn the bad into good. But it is also exhausting.

Creating art is not the act of turning bad into good. It is the act of turning nothing into something. A blank page, empty stage, unplayed instrument, lump of clay, molded by our hands and ideas into art. You don't have to be poor, do drugs, have a broken heart, or be certain that everyone hates you in order to make good art. You must simply not fear nothingness. Be fearless. Create art.

(image from www.youngmanandoldsoul.tumblr.com)

Tuesday
Jan032012

Artistic Statement

I'm preparing to apply for the Teaching Artist Certificate program at UArts, and part of the process is something I likely should have done ages ago- writing my Artistic Statement. An Artistic Statement is who I am as an artist, and who I strive to be. In Googling for example, I found many fun Artistic Statement generators. While hilarious, I don't think they'll impress the auditors. 

I did find a series of questions and prompts, courtesy of Molly Gordon,  meant to evaluate and inspire, and they're quite useful. So, my next series of posts (which will be consistent and timely) will be answers to those as I form my statement. Culminating, of course, in the finished product. 

Click to read more ...